Kitaplar
Gwendolyn Audrey Foster, ed. Identity and Memory: The Films of Chantal Akerman (Southern Illinois University Press, 2003)
Ivone Margulies, Nothing Happens: Chantal Akerman's Hyperrealist Everyday (Duke University Press, 1996)
Marion Schmid, Chantal Akerman (Manchester University Press, 2019)
Özel Sayılar
"On Chantal Akerman" Camera Obscura (Volume 34, no 1, May 2019)
"Dossier on Chantal Akerman" Film Quarterly (Vol 70, no. 1, Fall 2016)
Akademik Makaleler
Janet Bergstrom, “Invented Memories,” in Identity and Memory: The Films of Chantal Akerman, ed. Gwendolyn Audrey Foster (Trowbridge, Wiltshire, Eng.: Flicks Books, 1999)
Adriana Cerne, “Writing in Tongues: Chantal Akerman’s News from Home.” Journal of European Studies (Volume 32, 125–126, 2002): 235–247
Jenny Chamarette, "The Disappearing Work: Chantal Akerman and Phenomenologies of the Ephemeral" Contemporary French and francophone studies (Vol.17, no. 3, 2013): 347-356
Alisa Lebow, "Identity slips: the autobiographical register in the work of Chantal Akerman" Film Quarterly, 2016
Alisa Lebow, “Memory Once Removed: Indirect Memory and Transitive Autobiography in Chantal Akerman’s D’Est.” Camera Obscura: Feminism, Culture, and Media Studies (Vol 18, no. 1, 2003): 35–83
Brenda Longfellow, “Love Letters to the Mother: The Works of Chantal Akerman.” CTheory (Vol 13, nos 1–2, 1989): 73–90.
Tijana Mamula, “Matricide, Indexicality and Abstraction in Chantal Akerman’s News from Home and Là–bas,” Studies in French Cinema (Vol. 8, no. 3, 2008): 265–75
Ivone Margulies, “La Chambre Akerman: The Captive as Creator” Rouge (No. 10, 2007).
Griselda Pollock, "The Long Journey: Maternal Trauma, Tears and Kisses in a Work by Chantal Akerman." Studies in the Maternal (Vol 2, no. 1, 2010).
Steven Shaviro "Cliche's of Identity: The Musicals of Chantal Akerman" Quarterly Review of Film and Television (Vol 24, no. 1, 2007): 11-17
Akademi-dışı Makaleler
Senem Aytaç,"Akerman'ın son filmi: No Home Movie" Şubat 2016
Janet Bergstrom, "Keeping a distance: Chantal Akerman’s Jeanne Dielman" Sight and Sound, Oct 2015
Zeynep Dadak, "D'Est" Altyazı 2019
Catherine David, “D’Est: Akerman Variations,” in Halbreich and Jenkins, Bordering on Fiction: Chantal Akerman’s D’Est ed. Kathy Halbreich and Bruce Jenkins (Minneapolis: The Walker Arts Center, 1995)
Berke Göl ,"Bir Gün Pina Dedi ki…: Kuvvet, Bolca Kuvvet ve Aşk" Altyazı, Nissan 2023
Dominiek Hoens, "Nothing Personal, Love: On Toute une nuit" e-flux Notes, April 2023
Michael Koresky, "Eclipse Series 19: Chantal Akerman in the Seventies" Criterion Collection Essays, January 2010
Alisa Lebow, "Chantal Akerman Sineması" Altyazı 155, Mart 2020
Ivone Margulies, "A Matter of Time: Jeanne Dielman, 23 quay du Commerce, 1080 Bruxelles" Criterion Collection Essays, August 2009
Laura Mulvey, "The greatest film of all time: Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" Sight and Sound, December 2022
Podcast
Tom Overton and Daniel Shrier "Another Gaze: Feminist Filmmaking and the work of Chantal Akerman" Suite 212, April 2019
Kate Rennebohm and Simon Howell "The Akerman Year"
Chantal Akerman'ın Kitapları
Chantal Akerman, A Family in Brussels (New York: Dia Center for the Arts, 2002)
Chantal Akerman, My Mother Laughs (trans. Daniela Shreir, Silver Press, 2019)
Kadıköy Belediyesi Sinematek/Sinema Evi'nde otopark alanı mevcut değildir; dolayısıyla sitemizdeki haritada işaretlenmiş olan, civar otoparkları kullanabilirsiniz.
Toplu taşımayı tercih edecek ziyaretçiler, Kadıköy'den düzenli aralıklarla kalkan Bostancı dolmuşlarını kullanarak Hasırcıbaşı Caddesi'nin girişinde inebilirler. Sinematek/ Sinema Evi tabelalarını takip ederek 5 dakikalık yürüme mesafesindeki kurumumuza ulaşabilirsiniz. Yine aynı yöne ilerleyen İETT otobüsleriyle de Barış Manço durağında inip yönlendirme tabelalarını takip ederek kurumumuza ulaşmanız mümkündür.